All John Constable Oil Paintings
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John Constable A Lane near Flatford oil painting


A Lane near Flatford
Painting ID::  83573 		Artist: John Constable
Painting: A Lane near Flatford
Introduction: Date between 1810(1810) and 1811(1811) Medium Oil on paper laid on canvas Dimensions Height: 20 cm (7.9 in). Width: 31 cm (12.2 in). cjr
   
   
     

 

 

 
 

 

 

 
John Constable Seascape Study with Rain Cloud oil painting


Seascape Study with Rain Cloud
Painting ID::  85286 		Artist: John Constable
Painting: Seascape Study with Rain Cloud
Introduction: Date 1827(1827) Medium Oil on paper Dimensions 22,2 x 31,1 cm cjr
   
   
     

 

 

 
 

 

 

 
John Constable Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow oil painting


Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow
Painting ID::  85329 		Artist: John Constable
Painting: Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow
Introduction: Date 1816(1816) Medium Oil on canvas Dimensions 56,1 x 101,2 cm cjr
   
   
     

 

 

 
 

 

 

 
John Constable Branch hill Pond oil painting


Branch hill Pond
Painting ID::  85471 		Artist: John Constable
Painting: Branch hill Pond
Introduction: Oil on canvas. Date 1819(1819) cyf
   
   
     

 

 

 
 

 

 

 
John Constable The Close oil painting


The Close
Painting ID::  85473 		Artist: John Constable
Painting: The Close
Introduction: Oil on paper. Date 1829(1829) cyf
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Albertus Pictor | Vasiliy Polenov | Antoni Lange | BOURSSE, Esaias | James Sant |

 

 

 
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